![Sunrise Is Never Late [1,2,4] installed in Lateral Futures, Other Art Space, Kent, 2018](https://images.squarespace-cdn.com/content/v1/5666ddc8bfe87338abb7d570/1537701247016-GU1IJBVY7BSEO1J1OG5X/DSC02329.jpg)
![Sunrise Is Never Late [2,4] installed in Lateral Futures, Other Art Space, Kent, 2018](https://images.squarespace-cdn.com/content/v1/5666ddc8bfe87338abb7d570/1537701381294-SJ6KNNDMENVIQ6VDM9TX/DSC02352.jpg)
To Live Inside a Second, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua and participation of Threes. Curated by Valerio Panella.
Anatomical Model, Bologna 2019-24, on view in the group exhibition Liquify, at OHSH Projects, Peckham 2024. Photo credit: Jon Baker
Fog installation 2024, Raum, Graz.
Photo: Peter Rieser
Morning, Afternoon #3, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
Morning, Afternoon #3, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
Morning, Afternoon #4, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
Morning, Afternoon #1, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
Morning, Afternoon #7, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
Morning, Afternoon #2, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
Morning, Afternoon #4, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
Morning, Afternoon #8, 2023. Installed in Pieve Tesino, IT, as part of Una Boccata d’Arte 2023, a project by Fondazione Elpis in collaboration with Galleria Continua. Curated by Valerio Panella.
A Section of a Living Circle, Galerie Heimat, Saint Rémy de Provence, 2023
A Section of a Living Circle, Galerie Heimat, Saint Rémy de Provence, 2023
A Section of a Living Circle, Galerie Heimat, Saint Rémy de Provence, 2023
A Section of a Living Circle, Galerie Heimat, Saint Rémy de Provence, 2023
A Section of a Living Circle, Galerie Heimat, Saint Rémy de Provence, 2023
A Section of a Living Circle, Galerie Heimat, Saint Rémy de Provence, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
The Actual Life of a Thought, LOOM Gallery, Milan, 2023
Between Our Sense of Then and of Today, Michael Pennie Gallery, Bath, 2022
Between Our Sense of Then and of Today, Michael Pennie Gallery, Bath, 2022
Between Our Sense of Then and of Today, Michael Pennie Gallery, Bath, 2022
Between Our Sense of Then and of Today, Michael Pennie Gallery, Bath, 2022
Between Our Sense of Then and of Today, Michael Pennie Gallery, Bath, 2022
Between Our Sense of Then and of Today, Michael Pennie Gallery, Bath, 2022
Between Our Sense of Then and of Today, Michael Pennie Gallery, Bath, 2022
(left to right) Node #8, Node #1, Node #9, installed in Post No Bills, (with Stephan Keppel, The Koppel Project Hive, London, 2022).
The Tall Heat That Slept, 2022, installed in Post No Bills, (with Stephan Keppel, The Koppel Project Hive, London, 2022).
The Tall Heat That Slept, 2022, (left) installed in Post No Bills, (with Stephan Keppel, The Koppel Project Hive, London, 2022).
Sun-Sanctifying Glass, 2022, (left) installed in Post No Bills, a joint exhibition with Stephan Keppel at The Koppel Project Hive, London, 2022.
Sun-Sanctifying Glass, 2022, (left) installed in Post No Bills, a joint exhibition with Stephan Keppel at The Koppel Project Hive, London, 2022.
Holly Leaves, Buckthorn #2, Hollybush, installed at Gonzo Unit, Thessaloniki, as part of the joint exhibition Residency #3 with Ilektra Maipa
Fog #22 and Fog #23, installed at Gonzo Unit, Thessaloniki, as part of the joint exhibition Residency #3 with Ilektra Maipa
Pampas #1 2022 and Pampas #2 2022, installed at Gonzo Unit, Thessaloniki, as part of the joint exhibition Residency #3 with Ilektra Maipa
Fog #22 and Fog #23, installed at Gonzo Unit, Thessaloniki, as part of the joint exhibition Residency #3 with Ilektra Maipa
Fog #22 and Fog #23, installed at Gonzo Unit, Thessaloniki, as part of the joint exhibition Residency #3 with Ilektra Maipa
To Explain by Not Explaining (Newcastle Installation), 2020-21. Installed in Passive Aggressive, (with Robert Luzar at 36 Gallery, Newcastle, December 2021).
To Explain by Not Explaining (Newcastle Installation), 2020-21 and Binder #22. Installed in Passive Aggressive, (with Robert Luzar, 36 Gallery, Newcastle, 2021).
Binder #22, 2021. Installed in Passive Aggressive, (with Robert Luzar, 36 Gallery, Newcastle, 2021).
Binder #22, 2021. Installed in Passive Aggressive, (with Robert Luzar, 36 Gallery, Newcastle, 2021).
Thresholds, Gonzo Unit, Thessaloniki, 2018